![]() ![]() ![]() The 96 I/O offers many of the same features of its big brother, except there are no expansion bays, it wont do the 192k sample rate, and the analog inputs and outputs are on 1/4-inch jacks. ![]() Several other new units complete the HD series. Theres also a Legacy Port that allows connection of up to two older 888 interfaces to the system. Two nice touches on the unit are the real-time sample rate conversion on the digital inputs and a soft clip limiter on the analog inputs. Standard features such as two channels of AES/EBU I/O on XLRs, ADAT I/O, and word clock I/O are also included. All I/O is available on DB25 multipin connectors. Bay 4 is open for an additional analog or digital I/O card if needed. On the 192 I/O, there are four I/O card bays that are normally loaded with eight analog ins on bay 1, eight analog outs on bay 2, and AES digital I/O on bay 3. All units have a modern brushed metal with blue-edged front panel that really looks good in a rack, but the back panel really tells the story. The Digi I/O and sync hardware has changed considerably not only in style, but in content as well. You can add up to six Process Cards for those muscle systems that feel particularly DSP challenged. Add yet another Process Card, and you have an HD 3 system that gives you up to 96 channels of I/O at 48k. Add an HD Process Card (previously called a ∿arm Card), and you have an HD 2 system that again doubles your I/O and processing power. HD 1 includes a single PCI HD Core Card that supports up to 32 channels of I/O with nearly twice the voice count and DSP power of the previous Mix Plus system. Also included in 5.3.1 is support for DigiTranslator and Unity, as well as more sample rate pull-up/pull-down options.Īs for the hardware, Pro Tools|HD consists of three different basic setups: the HD 1, 2, and 3. This means that if youre a long-time Pro Tools user, nothing has changed for you operationally except for the fact that the software now automatically recognizes all of your HD interfaces so you dont have to manually enter that info. Pro Tools|HD is primarily a hardware change, with the latest 5.3.1 software updated to accommodate the new hardware and its higher sampling rates. The former criticisms have effectively been answered with the new Pro Tools|HD system and the latter with ProControl, a console-like controller for any Pro Tools|HD or TDM system. While Pro Tools has effectively replaced the tape-based multitrack for serious audio work, many engineers have sited three issues with the system that theyd like improved: converter quality and clocking, the lack of high-resolution recording, and mixing with a mouse. Now that it rules the audio world, what can Digidesign do for an encore? How about answering the only criticism of the system with the introduction of Pro Tools|HD. A&R guys dont hire engineers anymore unless they come with a Pro Tools rig or are at least well-versed in using one. Every recording school teaches it at the top of their curriculum. Most every studio, post house, dubbing stage, and home studio has a system. Its become synonymous with hard disc recording. ![]()
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